Artist: Kenny Burrell
Genre(s):
Jazz
Other
Discography:
The Artist Selects
Year: 2005
Tracks: 14
Stolen Moments (CD2)
Year: 2002
Tracks: 8
Stolen Moments (CD1)
Year: 2002
Tracks: 8
The Common Ground
Year: 2001
Tracks: 11
Soul Call
Year: 2001
Tracks: 7
Introducing Kenny Burrell (CD2)
Year: 2000
Tracks: 11
Introducing Kenny Burrell (CD1)
Year: 2000
Tracks: 9
Midnight Blue
Year: 1999
Tracks: 9
Blue Bash
Year: 1999
Tracks: 14
Ode to 52nd Street
Year: 1998
Tracks: 9
2 Guitars
Year: 1996
Tracks: 7
Verve Jazz Masters 45
Year: 1995
Tracks: 16
Lotus Blossom
Year: 1995
Tracks: 13
The Prestige Recordings CD 13
Year: 1991
Tracks: 5
All Day Long
Year: 1991
Tracks: 5
At the Five Spot Cafe (Vol.1)
Year: 1986
Tracks: 8
Guitar Forms
Year: 1965
Tracks: 20
Chet
Year: 1959
Tracks: 10
Blue Lights (Vol.2)
Year: 1958
Tracks: 4
Blue Lights (Vol.1)
Year: 1958
Tracks: 5
Bean Bags
Year: 1958
Tracks: 6
All Night Long
Year: 1956
Tracks: 6
Tender Gender
Year:
Tracks: 10
Jazz Masters 45
Year:
Tracks: 16
Beyond the Bluebird
Year:
Tracks: 10
Kenny Burrell has been a real uniform guitar player throughout his life history. Cool-toned and playacting in an static style based in bebop, Burrell has perpetually been the epitome of trade good mouthful and solid sweep. Duke Ellington's favorite guitar actor (though he never really recorded with him), Burrell started playing guitar when he was 12, and he debuted on records with Dizzy John Birks Gillespie in 1951. Share of the prolific Detroit jazz scene of the betimes '50s, Burrell stirred to Fresh House of York in 1956. Highly in demand from the depart, Burrell appeared on a innumerous turn of records as a loss leader and as a sideman. Among his to a greater extent famed associations were dates with Stan Getz, Billie Holiday, Milt Jackson, John Coltrane, Gil Evans, Cub Rollins, Quincy Inigo Jones, Sir Henry Morton Stanley Turrentine, and Jemmy Smith. Starting in the early '70s, Burrell began leading seminars and teaching method, much focussing on Duke Ellington's music. He toured with the Phillip Morris Superband during 1985-1986, and light-emitting diode three-guitar quintets, just to a greater extent often than non Kenny Burrell plays at the cutting edge of a trio/quartet.
